Mobile spy iphone 7 or samsung galaxy note 4

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  • You'll need to use a third-party app to shoot with the 2x lens at ISO on the iPhone. Detail is wiped away, although with some enhancements to its Raw processing for the phone, I'd expect that you can get slightly better results from processing the DNG. The story is about the same at ISO , the top setting which the iPhone's 2x lens can be used. Fine detail is blurred, so expect textures to be waxy when shooting JPGs.

    iPhone 7 vs Samsung Galaxy Note 7 - Speed Test! (4K)

    Color noise is a big issue with the current Raw conversion. We weren't using a manual camera app for the 7 Plus at that time, but it does look like there's some slight improvement in high ISO image quality with the new iPhone 8 model. How much of this is hardware and how much is image processing is in question. Apple's marketing will have you believe that it's night and day; it's not. If you own a 7, or even a 6s, the improvements in still imaging performance are marginal.

    The iPhone 8 is a huge step forward if you're still using an iPhone 6, and if you opt for the Plus model, the dual camera is a benefit over any single-lens phone. The Note 8 and S8's main camera is a bigger upgrade over the imager found in the Galaxy S7. At lower settings we see photos that aren't so aggressively over-sharpened, and at higher ISOs we see less noise reduction applied to JPGs. It's a win-win for Samsung on that front.

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    HEIC's big advantage is more efficient, effective image compression. I also looked at test images on the iPhone's screen and compared them with what I was seeing on my desktop workstation; I was unable to discern the difference. Lab tests are great if you like looking at test images and numbers. They're useful to tell you how something works, and what it's strengths and weaknesses are, and in extreme situations, a little bit of extra performance can help you get an image that you might not otherwise. In bright light, you shouldn't expect to see much difference between the iPhone 8 or X, Galaxy S8, or Note 8.

    But while the Note 8 ended up showing a bit more detail at higher ISOs in our lab tests, I was disappointed to see how it handled shooting a typical scene on a city street at night.


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    The iPhone's main camera left does a better job pulling in highlights in bright signage, and while the streetlights are blown out, they don't show the same type of flare as you get with the Note 8's main camera. Both were shot with automatic exposure. Samsung has a general tendency to overexpose a scene by a little bit, which gives images a brighter feel by default. We see the same type of flare from the Note in another side-by-side test shot, below. Again, the iPhone is on the left and the Note on the right. If you're the type of phone photographer who uses manual settings, you can work to ensure that the nighttime street shots aren't as bright by adjusting the exposure manually, though we expect that the vast majority of smartphone photographers to rely on automatic exposure.

    Both camera apps let you adjust exposure without having to delve into manual settings. Tap to focus on the iPhone and there's an exposure slider to the right of the focus box. Do the same on the Note and it's at the bottom of your frame. You'll want to learn to use them to dial in brightness to get the most out of your smartphone camera. You can turn a boring, brightly lit shot into something moody and shadowy by lowering exposure, and get better shots of subjects that are in shadow with a strong backlight by using the slider to brighten your image.

    The iPhone and Galaxy both focus extremely quickly, and the main lens is stabilized on both models. The secondary lens of Note is stabilized, but the iPhone 8 Plus's 2x optic is not. If you think you'll be using it a lot, especially for video, and are an iOS user, consider spending more and getting the iPhone X, which has dual stabilized rear lenses.

    Both the iPhone and Samsung flagship models record video at 4K quality. But the iPhone lets you select the frame rate—24, 30, and 60fps capture options are available. The iPhone can do that too. To change video settings with the Note 8 you'll use the camera app, which make sense. To change resolution or frame rate with the iPhone, you must dive into your main Settings app and find the camera page.

    It's confusing and doesn't let you vary the look of your video with the ease that I'd prefer. That makes the iPhone a bit more versatile for folks who like the different looks that varying the video frame rate can do. You can shoot at 24fps for a cinematic look, at 30fps to match traditional video, and 60fps for that ultra-smooth fast-action look. And because it does all three at 4K, you have liberal room to crop down to p to get a tighter field of view while maintaining stabilization. The iPhone also supports p slow-motion footage, captured at fps or fps for one-quarter or one-fifth playback speed, something that the Note 8 and Galaxy S8 don't do.

    The iPhone 8's wide-angle camera has the best stabilization of the bunch. Video is effectively smoothed, so there's no jitter, and it looks quite natural—all at 4K. The Note 8 has dual stabilized lenses, and while they aren't jumpy and jittery, you can see the frame shake as you take steps while walking, an effect absent in the 8 Plus' wide camera.

    The 8 Plus is definitely using some digital stabilization to steady its 2x lens footage so it's not jittery, but it's not as smooth as any of the optical options, and you can see some unnatural motion that's a result of the digital stabilization. The iPhone X's secondary lens does boast optical stabilization, and it looks to be as effective as the main camera. If you're big into video and want stabilized footage from both lenses, the X is the phone to get.

    In addition to standard video capture, the iPhone will auto-edit videos on demand, highlighting photos and moments from a certain time period. I tried it out. It made some weird choices. It mixed up a few portraits of staff members with lots of images from our camera test scene, and omitted everything I shot in the botanical gardens. I guess it likes people and test charts more than flowers. If you use your phone to take more typical photos, it'll hopefully do a better job.

    How to spy on your lover, the smartphone way

    The iPhone also shoots what Apple calls Live Photos. They're a mix of a second or so of video leading up to your shot, followed by the image itself. It's a neat concept—Nikon did a similar thing with its failed series of Nikon 1 mirrorless cameras. But if you don't see yourself sharing these types of clips you might want to turn the feature off, as it takes up more space than a standard photo.

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    If you're shopping for an iPhone 8 or Galaxy S8, you can disregard this section. We're going to talk about what the dual lenses in the 8 Plus, X, and Note 8 bring to the table. In addition to a tighter field of view when shooting photos, they both use depth information delivered by the cameras to map scenes and simulate the out-of-focus blur, also known as bokeh, associated with wide aperture lenses and big image sensors.

    They do it a bit differently. Apple doesn't let you adjust the amount of background blur, while Samsung does, but iPhone 8 Plus owners have specialized lighting effects that can be applied to images, whereas you don't get that with the Note 8. If you buy an iPhone X you'll be able to do all the bokeh and lighting tricks that you can with the 8 Plus's rear camera, but with the front camera as well.

    On the iPhone it's called Portrait Mode, although it works when holding the phone in landscape orientation and you certainly aren't limited to photographing people. Samsung calls its version Live Focus. Both require you to be a few feet away from your subject to work, and both allow for adjustments to the image and effect after capture—think of it as a Lytro camera, but with much better image quality. The results are above. You'll notice that the shots aren't labeled. See if you can tell the difference between the phones and pro SLR. Running from left to right, we have the Note 8, the Canon, and finally the iPhone.

    The wood railing behind our subject isn't quite as blurred in the Galaxy shot, but the building in the background is blurred with aplomb. The field of view is slightly different with the Note 8, despite all three shots being captured from the same position with a similar pose. That's because the Note's main camera is a little bit wider than the iPhone's.

    The iPhone didn't do a good job with Chandra's hair. The top of her head is slightly cut off, and there's a more noticeable cutout at the camera left side of her head. A close look at the images below tells the tale. The iPhone's algorithm is getting thrown off by some individual hairs at the top of the head, as well as bit of the building behind Chandra that isn't fully illuminated by the setting sun. The image on the far left is the non-portrait iPhone shot you can toggle the effect after an image has been captured , with the iPhone's Natural Light portrait shot in the middle, and, for comparison, the Note 8's take on the portrait on the right.

    That's not to say that Samsung's algorithm is perfect; it can definitely get tricked up. But at press time, it appears to have a bit of an edge when it comes to mapping humans. I also took both phones to brunch, followed by a trip to the New York Botanical Gardens, to see how their bokeh modes handled two popular Instagram subjects—food and flowers.

    When it comes to eggs benedict, both phones do an admirable, Instagram-worthy job. The iPhone underexposes a bit in shady lighting, but that's something you can easily fix after the fact, it's not significantly dim. It handles this background well, with soft, feathered blur, and I don't see any problems with the mapping of the subject itself. The Note 8 doesn't deliver as much blur, even at its most extreme setting, but out-of-focus highlights are pretty good, they just don't have the same feathered look as you get with the iPhone.

    At the gardens I nabbed shots with both phones that would fool veteran photographers at Instagram sizes. Both did an excellent job mapping a lotus that was part of an outdoor water garden exhibit. But when it came to shooting a bird-of-paradise, the iPhone managed to get the proper amount of background blur, while the Note 8 shows a bit too much in focus behind the flower, even with the blur set to its maximum level.

    I'm thinking the wider wide-angle lens is in play here. For this particular image, shot indoors under skylights, Samsung's colors are warmer and more pleasing to the eye, but again, it's easy to warm a photo to taste, either using the iOS Photos app or the editing software of your choosing. Both phones failed big time when it came to capturing a swirling fiddlehead fern plant.

    The Note 8 struggled to map it and I only managed a couple of blurry shots that were the camera's attempt at blurring the background the wide-angle shots, which the Note 8 also saves, are sharply focused. The iPhone picked up on certain parts of the plant, but did a poor job of deciding what should be in focus and what is blurred. Right now, both phones have plusses and minuses when it comes to bokeh simulation. The iPhone 8 Plus sometimes struggles mapping hair when photographing people, while the Note 8 steps up and does a solid job. But for other shots, especially those when the background is not far off in the distance, the iPhone draws the out-of-focus area with a blurrier, more pleasing feathered look.

    Both fail the fiddlehead fern test, but let's be honest, it's a weirdly shaped plant. Because the portrait effect relies so heavily on software processing, there's a good chance we'll see improvements in both camps as software updates roll out from Apple and Samsung. Remember that with both phones, shooting for shallow depth of field isn't the most candid process. It takes longer to focus and map a scene than it does with a single lens, so if you want to get photos of your toddler running around that look like they were shot with a big-sensor camera, you'll still need to get a camera with a big sensor.

    Point-and-shoots with 1-inch sensors, like the Sony RX III , do this quite well and fit in your pocket, and there are a wealth of options in the mirrorless and SLR world if you're willing to deal with a larger interchangeable lens model. Let's talk about the marquee addition to the iPhone's portrait mode, absent completely from the Samsung side of the fence. Portrait Lighting, still in beta, is exclusive to the iPhone 8 Plus and X. The tool adds a new dimension to your portrait shots, allowing you to change the lighting on your subject's face, or spotlight them against a black background, the latter with tuned modes for color or black-and-white photography.

    The default setting, Natural, is what we've seen before in the 7 Plus. The updated A11 processor in the new iPhone models adds some new lighting effects. You also get Studio Light, which promises to keep your subject's face brightly lit, and Contour Light, which promises to deliver images with shadows, highlights, and lowlights. I found these effects to be pretty subtly different; but if you look closely you can see what each is doing. The iPhone lets us create multiple looks from a single shot, so I took one image of Chandra and applied each lighting effect.

    The Natural effect looks pretty good to start, but the shot was taken as the sun was low on the horizon, so the light was pretty soft to begin with. There are distinct shadows visible, however, especially where the hair shadows the face. Switching to the Studio look brightens those shadows, painting both of our model's eyes brightly.

    It also helps employers to monitor the rate at which their employees are text messaging preventing them to work properly. This mode of spying allows surveillance of text messages without installing any applications on the targeted mobile phone. It enables getting a list of at least a hundred text messages from the database ranging from incoming messages to outgoing messages.

    This method works by using a multimedia technology service that allows you to access the SMS database of the target. It is very hard to detect the service.

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    The service retrieves also the phone number of the recipient, the date and the time sent. The target cannot know or suspect about the existence of the service in their phones. It allows spying on text messages only. Although there are some that do not require the installation of the app, installation apps give reliable monitoring. The app enables reading of what the target writes and then forwarding the message to the receiver.

    This is helpful for parents trying to control what their children send by forwarding what they think is not harmful. The positive thing about spy SMS is that it is easy to use and can be installed on any platform. However, they come at a price to acquire them which may be expensive for some parents who really need them and it is not able to block installation mobile applications. With this expansion some request to spy and screen others, engineers similarly have chosen to endeavour to coordinate this request by providing a few projects and software that can and if nothing else claim to have the capacity to take advantage of security like catching keystrokes from a clueless client.

    Because of its propelled highlights, a ton of clients searches for a free keystroke logger that can help them access others cell phones without being noticed.

    The 18 Best Hidden Features in the Samsung Galaxy Note 8

    The spy GPS satellite trackers are a perfect method to acquire exact, real-time location of an individual you are targeting to spy. Whether you are tracking your little ones or relatives, the GPS spy tracker for Samsung Galaxy Note 4 is the perfect device for you. These gadgets let you know precisely where something is or someone is with only a couple of speedy snaps of a catch.

    Due to this capacity, they can be incredible for spying on a person or robbery anticipation, and different circumstances where such ongoing, geographical data can enable you to achieve an objective.

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